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Opening up new dimensions - ZEISS Supreme Prime Lenses: Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5. REEL: HOMETOWN DÉJÀ VU DIRECTOR : Peter Pau CINEMATOGRAPHER: Peter Pau, HKSC SHOT ON: ZEISS Supreme Primes and RED Monstro VV PASSING DIRECTOR: Aisha Schliessler CINEMATOGRAPHER: Jon Joffin, ASC SHOT ON: ZEISS Supreme Primes and Sony Venice / Phantom 4K / RED Monstro VV TIES DIRECTOR: Laura Stabilini CINEMATOGRAPHER: Paul Cameron, ASC SHOT ON: ZEISS Supreme Primes and Sony Venice TSUNAGERU DIRECTOR: Akira Sako CINEMATOGRAPHER: Akira Sako, JSC SHOT ON: ZEISS Supreme Primes and Sony Venice RELIQUIAE DIRECTOR: John Marchant CINEMATOGRAPHER: John Marchant SHOT ON: ZEISS Supreme Primes and RED Monstro VV WEEKEND DADS DIRECTOR: Jeannie Roshar CINEMATOGRAPHER: Laura Merians SHOT ON: ZEISS Supreme Primes and ARRI Alexa LF THE COMMANDER DIRECTOR: Petr Jákl CINEMATOGRAPHER: Mark Bliss SHOT ON: ZEISS Supreme Primes and RED Monstro VV / Sony Venice NATIONAL GEOGRAPHIC EXPLORERS DIRECTOR: Helen Morgan –Geary CINEMATOGRAPHER: Fernando Caamaño SHOT ON: ZEISS Supreme Primes and RED Monstro VV IRAGA IRAGA CINEMATOGRAPHER: Rajeev Ravi Music Directors: Vishal - Shekar SHOT ON: ZEISS Supreme Primes and Sony 65 EL VIAJE DIRECTOR: Serge Saldívar CINEMATOGRAPHER: Serge Saldívar, AMC SHOT ON: ZEISS Supreme Primes and RED Monstro VV For more info ▹ http://www.zeiss.com/cine Follow us ▹ http://www.zeiss.com/cine/social